![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgA-Eu1sBCsL6lxPUhyuOveG-uYUYhtQW49u1XXSLDcqkvEptsv4WQJesw-6UCN67X9j9L6lrbkoPwYcGMVDfzRw6E1SVzySLCq4XpYb7zxAxS4Qp6waOTpx3xPNJhUyhx6zq-4tNuAOs7t/s400/still-life-3-underpainting.jpg)
Monday, September 6, 2010
Still-life Under-painting
Here is the under-painting for the new still-life. This time, I used three pigments: burnt sienna, burnt umber, and cerulean blue. The idea was to take the white of the canvas away, and give a little indication of value, and temperature.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgA-Eu1sBCsL6lxPUhyuOveG-uYUYhtQW49u1XXSLDcqkvEptsv4WQJesw-6UCN67X9j9L6lrbkoPwYcGMVDfzRw6E1SVzySLCq4XpYb7zxAxS4Qp6waOTpx3xPNJhUyhx6zq-4tNuAOs7t/s400/still-life-3-underpainting.jpg)
Thursday, September 2, 2010
Pencil Lay-in of a New Still-life
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